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[109] [111] The Lyceum's stage and decorations were restored in 1922, [112] prior to the opening of Shore Leave, which featured Starr and James Rennie. [113] [114] The Lyceum also hosted revivals of classical plays, including The Merchant of Venice (1922), The School for Scandal (1923), and Antony and Cleopatra (1924). [115]
The Merchant of Venice is a play by William Shakespeare, believed to have been written between 1596 and 1598.A merchant in Venice named Antonio defaults on a large loan taken out on behalf of his dear friend, Bassanio, and provided by a Jewish moneylender, Shylock, with seemingly inevitable fatal consequences.
1922 - The Merchant of Venice (David Belasco’s production, Lyceum Theatre, New York) 1924 - Punch and Judy ballet for The Punch Bowl Revue. A Kiss for Cinderella (Barrie) 1925 - Kismet (Knoblock, New Oxford Theatre). The Man with a Load of Mischief (Ashley Dukes) 1926 - Alice in Wonderland, ballet; 1929 - Measure for Measure (Haymarket Theatre)
The Lyceum Theatre (/ l a ... in 1878. Their 1879 production of The Merchant of Venice ran for an unusual 250 nights, ...
The Lyric as a movie theatre in 1985. The Lyric Theatre hosted many notable shows in the early decades of the 20th century. Many plays by William Shakespeare were produced, sometimes multiple times, the most popular being The Merchant of Venice, which was first produced in 1904 and revived three times in 1907.
Terriss and Jessie Millward in The Harbour Lights. In 1880 he joined Henry Irving's company at the Lyceum Theatre, playing such parts as Cassio in Irving's hit production of Othello, Laertes in Hamlet, Bassanio in The Merchant of Venice, Flutter in The Belle's Stratagem, Courriol in The Lyons Mail, Jack Wyatt in James Albery's Two Roses and Mercutio in Romeo and Juliet to enthusiastic notices ...
In 1910, she first played Portia in The Merchant of Venice at the Court Theatre, ... That autumn, she was at the Lyceum Theatre, London, ...
Under Macready's management she played Nerissa in The Merchant of Venice, and Audrey in As You Like It. She managed the Lyceum Theatre with her husband from 1844 to 1847; acted with Benjamin Webster and Charles Kean at the Haymarket; returned for five years to the Adelphi; and made her last regular public appearance at the Lyceum in 1859.