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The nine regions of Mictlán (also known as Chiconauhmictlán) in Aztec mythology take shape within the Nahua worldview of space and time as parts of a universe composed of living forces. According to Mexica mythology, in the beginning, there were two primordial gods, Omecíhuatl and Ometecuhtli, whose children became the creator gods.
Most producers make their rugs on foot pedal looms using wool dyed with natural materials such as indigo and the cochineal bug. [12] Rugs are also produced in Mitla, Santa Ana del Valle and Tlacolula de Matamoros along with blankets and a type of sarape. [10] One distinguishing feature of Oaxaca rug production is the use of the cochineal insect.
Ancient Aztec paintings often depict the boat floating on the flood waters beside a mountain. The heads of a man and a woman are shown in the air above the boat and a dove is also depicted. In its mouth the dove is carrying a hieroglyphic symbol representing the languages of the world, which it is distributing to the children of Coxcox.
Ochpaniztli was largely concerned with sweeping, which was a reference to the rush of winds that occurred in the valley of Mexico before the winter rains came, the end of the growing season and the start of the harvesting season.
Patolli and its variants were played by a wide range of pre-Columbian Mesoamerican cultures and were known all over Mesoamerica: it was played by the Teotihuacanos (the builders of Teotihuacan, ca. 200 BC - 650 AD), the Toltecs (ca. 750 - 1000), the inhabitants of Chichen Itza (founded by refugee Toltec nobles, ca. 1100 - 1300), the Aztecs (who claimed Toltec descent, 1168 - 1521) and all of ...
The Coatlicue statue is one of the most famous surviving Aztec sculptures. It is a 2.52 metre (8.3 ft) tall andesite statue by an unidentified Mexica artist. [1] Although there are many debates about what or who the statue represents, it is usually identified as the Aztec deity Coatlicue ("Snakes-Her-Skirt"). [2]