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Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
His novel Zero Degree (1998), a groundbreaking work in Tamil literature, and his Marginal Man are examples of this genre. [5] In Urdu the fiction novels of Rahman Abbas are considered major work of autofiction, especially his two novels Nakhalistan Ki Talash ( In Search of an Oasis ) and Khuda Ke Saaye Mein Ankh Micholi ( Hide and Seek in the ...
Many of these phenomenologists' conceptions of the self and self-consciousness are built on criticisms of or response to Edmund Husserl's initial views. [8] Sartre synthesized Husserl and Heidegger's ideas. His modifications include his replacement of Husserl's concept, epoche, with Heidegger's structure of being-in-the -world. [9]
Solipsism (/ ˈ s ɒ l ɪ p s ɪ z əm / ⓘ SOLL-ip-siz-əm; from Latin solus 'alone' and ipse 'self') [1] is the philosophical idea that only one's mind is sure to exist. As an epistemological position, solipsism holds that knowledge of anything outside one's own mind is unsure; the external world and other minds cannot be known and might not exist outside the mind.
The mirror phase identification is the moment of separation of the ideal fantasy self, similar to Freud’s ego, with the real self, or in other words, the concept of self with the actual self. This concept of self is what is transformed when the spectator identifies with a fictional character. [14]
Biographical Criticism, like New Historicism, rejects the concept that literary studies should be limited to the internal or formal characteristics of a literary work, and insists that it properly includes a knowledge of the contexts in which the work was created. Biographical criticism stands in ambiguous relationship to Romanticism. It has ...
The Anxiety of Influence: A Theory of Poetry is a 1973 book by Harold Bloom on the anxiety of influence in writing poetry. It was the first in a series of books that advanced a new "revisionary" or antithetical [1] approach to literary criticism.
The theory of anxiety of influence is a theory applied principally to early nineteenth century romantic poetry. Its author, Harold Bloom, maintains that the theory has general applicability to the study of literary tradition, ranging from Homer and the Bible to Thomas Pynchon and Anne Carson in the 20th and 21st century.