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Spec writing is also unique in that the writer must pitch the idea to producers. In order to sell the script, it must have an excellent title, good writing, and a great logline, laying out what the movie is about. A well-written logline will convey the tone of the film, introduce the main character, and touch on the primary conflict.
In filmmaking, a pitch is a concise verbal (and sometimes visual) presentation of an idea for a film or TV series generally made by a screenwriter or film director to a film producer or studio executive in the hope of attracting development finance to pay for the writing of a screenplay.
Rewriting: The writer rewrites someone else's script for pay. The writer pitches their "take", much like they would an original pitch. Spec script: Short for "speculative" or "on speculation" as in; "She wrote her script on spec". The writer writes the script (original or someone else's idea) without being paid, and, subsequently, tries to sell it.
Long before his first released feature Reservoir Dogs, Tarantino met with Craig Hamann and was introduced to his 30-40 page script, My Best Friend's Birthday. Tarantino helped expand the script up to 80 pages and agreed to direct the film. On a $5,000 budget and a 16 mm camera, the film was shot in the span of four years. It was often alleged ...
The movie did poorly at the box office. [1] However, in 2014 the film was selected for preservation in the National Film Registry. Spec scripts have not always held as much cachet in the business as they do now. Ernest Lehman describes how his original script for the 1959 film North by Northwest was unusual at that point in his career:
Even if the script is given to other writers and rewritten, that first writer created the seeds of that idea and he or she should get some regard. But for a script from a book, it's different. Even if little of the initial efforts remain in the final script, original writers are often awarded credit because they were first on the scene.
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Screenplays are eligible if they are not based on "previously published material". The Writer's Branch of the academy determines if a screenplay is adapted or original, based on possible sources in question, interviews given about the film and the film's publicity materials, and sometimes places screenplays in a different category than the Writers Guild of America.