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Kathakali is different from a similar-sounding Kathak, though both are Indian classical dance traditions of "story play" wherein the stories have been traditionally derived from the Hindu epics and the Puranas. Kathak is an ancient performance art that emerged in North India, with roots in traveling bards retelling mythical and spiritual ...
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Kalakeyavadham (The Slaying of Kalakeya) is a Kathakali play written by Kottayam Thampuran (also known as Kottayathu Thampuran) in Malayalam.Based on the Mahabharatha, the play describes the events surrounding the Pandava prince Arjuna's visit to his father Indra's abode, paradise. [1]
Kathakali dance is a classic Indian dance form that was traditionally performed by men. [3] Dancers use masks to play different roles. This art form began in 1661 when the ruler of Kottarakkara created Ramanattam, an early version of Kathakali that dramatized episodes from the Ramayana in Malayalam, making the art form accessible to a broader audience across castes.
Chendamelam of Kerala. A "Chenda Melam" means percussion using Chenda. The Chenda is used as a percussion instrument for almost all Kerala art forms like Kathakali, Kodiyattam, Theyyam etc. Chenda melam is the most popular form in Kerala, for more than 300 years.
Sivaraman was one among the rare leading Kathakali artistes of modern times to have not taught in any leading performing-art institutions. [citation needed] In the evening of his life, Sivaraman also carved a cast in male roles, where the magic of make-up would help him hide his advancing age.
Pattikkamthodi Ravunni Menon (1880–1948) was a pivotal figure in the history of Kathakali, having played a crucial role in remoulding and refining its grammar in the famed Kalluvazhi tradition of the classical dance-drama from Kerala in south India. [1]