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Kathakali is different from a similar-sounding Kathak, though both are Indian classical dance traditions of "story play" wherein the stories have been traditionally derived from the Hindu epics and the Puranas. Kathak is an ancient performance art that emerged in North India, with roots in traveling bards retelling mythical and spiritual ...
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Kalakeyavadham (The Slaying of Kalakeya) is a Kathakali play written by Kottayam Thampuran (also known as Kottayathu Thampuran) in Malayalam.Based on the Mahabharatha, the play describes the events surrounding the Pandava prince Arjuna's visit to his father Indra's abode, paradise. [1]
Kathakali dance is a classic Indian dance form that was traditionally performed by men. [3] Dancers use masks to play different roles. This art form began in 1661 when the ruler of Kottarakkara created Ramanattam, an early version of Kathakali that dramatized episodes from the Ramayana in Malayalam, making the art form accessible to a broader audience across castes.
Pillai composed four Kathakali attakathas - Nizhalkuttu, Bhadrakali Vijayam, Paduka Attabhishekam and Sankaravijayam - succeeding in radically changing and popularising the art form. [1] Nizhalkuthu was enacted in temples and was a daring experiment, with two unheroic rustic characters, the ‘Malayan' and ‘Malayathi’, when convention ...
Sivaraman was one among the rare leading Kathakali artistes of modern times to have not taught in any leading performing-art institutions. [citation needed] In the evening of his life, Sivaraman also carved a cast in male roles, where the magic of make-up would help him hide his advancing age.
Unnayi Warrier was a poet, writer, scholar, and dramatist who lived in Thiruvananthapuram, India during the 17th/18th century. He is best known for his chef-d'oeuvre Nalacharitham aattakatha and is known to have made significant contributions to the art of Kathakali, the classical dance-drama form of Kerala.