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Physical Graffiti is the sixth album by the English rock band Led Zeppelin.Released as a double album on 24 February 1975 in the United States and on 28 February 1975 in the United Kingdom, [1] [2] it was the group's first album to be released under their new label, Swan Song Records.
"Kashmir" is a song by the English rock band Led Zeppelin. Featured on their sixth studio album Physical Graffiti (1975), it was written by Jimmy Page and Robert Plant with contributions from John Bonham over a period of three years with lyrics dating to 1973.
"Houses of the Holy" is a song by English rock band Led Zeppelin from their 1975 sixth album Physical Graffiti. The name of the song was used as the title of the band's fifth album, although it was not included on that album; they decided the song did not fit well with the other album material, so it was moved to the subsequent release.
"In the Light" is a song by English rock band Led Zeppelin from their 1975 album Physical Graffiti. The song was composed primarily by bassist/keyboardist John Paul Jones on synthesiser, though singer Robert Plant and guitarist Jimmy Page also received songwriting credits.
"The Wanton Song" is a song by English rock band Led Zeppelin from their sixth studio album, 1975's Physical Graffiti. It was developed from a jam session during rehearsals. It was developed from a jam session during rehearsals.
"Ten Years Gone" is a song by English rock band Led Zeppelin from their 1975 album Physical Graffiti. Record producer Rick Rubin has described the song as, "A deep, reflective piece with hypnotic, interweaving riffs. Light and dark, shadow and glare. It sounds like nature coming through the speakers." [4]
A review in Rolling Stone magazine referred to Physical Graffiti as Led Zeppelin's "bid for artistic respectability", adding that the only bands Led Zeppelin had to compete with for the title "The World's Best Rock Band" were the Rolling Stones and the Who. [68] The album was a massive commercial and critical success.
[3] [4] It was recorded in 1971 as an electric arrangement, intended for release on Led Zeppelin IV, but was held over and eventually placed on Physical Graffiti to complete the double album. It has been speculated by fanzine writer Dave Lewis that the song was influenced by Neil Young. [4]