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Niccolò di Bernardo dei Machiavelli [a] (3 May 1469 – 21 June 1527) was a Florentine [4] [5] diplomat, author, philosopher, and historian who lived during the Italian Renaissance. He is best known for his political treatise The Prince (Il Principe), written around 1513 but not published until 1532, five years after his death. [6]
Zanobi Machiavelli (1418–1479) was an Italian painter and illuminator. Machiavelli specialized in religious themed pieces. Some of his works reside at the National Gallery, London , [ 1 ] and the Dunedin Public Art Gallery .
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Virtù is a concept theorized by Niccolò Machiavelli, centered on the martial spirit and ability of a population or leader, [1] but also encompassing a broader collection of traits necessary for maintenance of the state and "the achievement of great things." [2] [3] In a secondary development, the same word came to mean an object of art.
The Prince (Italian: Il Principe [il ˈprintʃipe]; Latin: De Principatibus) is a 16th-century political treatise written by the Italian diplomat, philosopher, and political theorist Niccolò Machiavelli in the form of a realistic instruction guide for new princes.
It expresses a simple, pious gesture that appeared to have been lost from the courtly sensibility of Italian painting since the days of Raphael, while maintaining the brittle, demarcated colour that is classic of Tuscan works. The work has an earnest fervour lacking in his earlier mannerist works, which sometimes appear like a collection of ...
The painting represents the popular view of the treacherous nature of the Borgias—the implication being that the young man cannot be sure that the wine is not poisoned. Niccolò Machiavelli met the Duke on a diplomatic mission in his function as Secretary of the Florentine Chancellery.
The Art of War is divided into a preface (proemio) and seven books (chapters), which take the form of a series of dialogues that take place in the Orti Oricellari, the gardens built in a classical style by Bernardo Rucellai in the 1490s for Florentine aristocrats and humanists to engage in discussion, between Cosimo Rucellai and "Lord Fabrizio Colonna" (many feel Colonna is a veiled disguise ...