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House music originated in a Chicago nightclub called The Warehouse. Chicago house is the earliest style of house music. While the origins of the name "house music" are unclear, the most popular belief is that it can be traced to the name of that club. DJ Frankie Knuckles originally popularized house music while working at The Warehouse. [6]
I don't know why Uncle Sam says I did it. I tried to explain at the police station but they didn't understand me. I tried to explain at the police station but they didn't understand me. Other than Velma, she is the only member of the sextet to reappear later in the musical; she eventually is convicted and hanged, setting up Roxie Hart 's ...
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
Chicago was the first important center of jazz as it left the city of its birth, New Orleans, Louisiana.The name jazz (and its early variations jass or jas) may have first been applied to the music in Chicago in the 1910s, as such hot New Orleans bands as Tom Brown's made a hit up north.
Chicago-style hot dog. The most popular Chicago-style foods are: The Chicago-style hot dog, traditionally a steamed or boiled, natural-casing all-beef wiener on a poppy-seed bun, topped with yellow mustard, chopped onion, sliced tomato, neon-green sweet-pickle relish, sport peppers, a dill pickle spear, and a sprinkling of celery salt—but ...
Chicago blues is a form of blues music that developed in Chicago, Illinois. It is based on earlier blues idioms, such as Delta blues , but is performed in an urban style . It developed alongside the Great Migration of African Americans of the first half of the twentieth century.
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Leonard B. Meyer, in Emotion and Meaning in Music (1956), [1] distinguished "formalists" from what he called "expressionists": "...formalists would contend that the meaning of music lies in the perception and understanding of the musical relationships set forth in the work of art and that meaning in music is primarily intellectual, while the expressionist would argue that these same ...