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Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences. Items in the list are sorted alphabetically by the band or artist's name. Songs which are familiar to listeners through more than one version (by different artists) are mentioned by the earliest version known to contain Andalusian ...
The Music of Andalusia encompasses a range of traditional and modern musical genres which originate in the region of Andalusia in southern Spain.The most famous are copla and flamenco, the latter being sometimes used as a portmanteau term for various regional musical traditions within Andalusia.
Andalusi classical music (Arabic: طرب أندلسي, romanized: ṭarab ʾandalusī; Spanish: música andalusí), also called Andalusi music or Arab-Andalusian music, is a genre of music originally developed in al-Andalus by the Muslim population of the region and the Moors.
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Yet, the Andalusian cadence brings about a limit condition for tonal harmony, with a ♭ VII – ♭ VI chord move. [16] The Andalusian is an authentic cadence, because a dominant chord ("V") comes just before the tonic "i". (Using modal harmonies, the third, and not the fourth chord – "♭ II" – acts as the dominant, substituted to tritone ...
List of popular music songs featuring Andalusian cadences; List of Runrig's Gaelic songs; List of silent musical compositions; List of songs which have spent the most weeks on the UK Singles Chart; List of songs banned by the BBC; List of songs containing the I-V-vi-IV progression; List of Negima songs; List of songs introduced by Frank Sinatra
Cantares de Nochebuena "Songs of Christmas Eve" – nine popular songs for voice, guitar and (at least in the case of the first two songs) zambomba and rebec or chicharra (1903–1904) Trois mélodies – voice and piano, words by Théophile Gautier (1909–1910)
Cheqara did much to popularize Andalusian music. Prior to the advent of Abdessadeq, Andalusian music was largely elite music for Andalusians alone. Much of the Andalusian popular songs or Cha'abi (Sha'abi) are believed to have been appropriated from female Andalusian musicians of Tetuan such as Hajja Shili and Hajja Shahaba.