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In the medieval period crests would always have faced the same way as the helm, but as a result of these rules, the directions of the crest and the helm might be at variance: a knight whose crest was a lion statant, would have the lion depicted as looking over the side of the helm, rather than towards the viewer. [13]
Every noble family claims to have been granted a coat of arms by a prestigious personage. [Ha 9] The adoption of the coat of arms by non-combatants attests to the symbolic significance of this object, which is an emblem of power and strength, but also of peace and justice, and shows the link between the individual and the group. [Ha 2]
Pope Boniface VIII: Popes of the late medieval and early modern period used their family coats of arms (the earliest exception being Nicholas V, r. 1447–1455). The coat of arms of Boniface VIII (r. 1294–1303), an early form of the Caetani coat of arms, happens to be the first coat of arms used by a pope preserved in a contemporary depiction ...
A coat of arms is traditionally unique to the armiger (e.g. an individual person, family, state, organization, school or corporation). The term "coat of arms" itself, describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail "surcoat" garment used in combat or preparation for the latter.
An exception is the coat of arms of Castile and León, showing the arms of Castile (the yellow castle) quartered with the arms of León (the purple lion) in the late 13th century Camden Roll and Segar's Roll. This practice becomes much more common in the late medieval period.
Illustration from a manuscript grant of arms by Philip II of Spain to Alonso de Mesa and Hernando de Mesa, signed 25 November 1566. Digitally restored. According to the usual description of the law of arms, coats of arms, armorial badges, flags and standards and other similar emblems of honour may only be borne by virtue of ancestral right, or of a grant made to the user under due authority.
Wolfsangel (German pronunciation: [ˈvɔlfsˌʔaŋəl], translation "wolf's hook") or Crampon (French pronunciation: [kʁɑ̃pɔ̃]) is a heraldic charge from mainly Germany and eastern France, which was inspired by medieval European wolf traps that consisted of a Z-shaped metal hook (called the Wolfsangel, or the crampon in French) that was hung by a chain from a crescent-shaped metal bar ...
It rests on a dual symbolism: On one hand it was seen as a symbol of the Roman Empire (the Roman Eagle had been introduced as the standardised emblem of the Roman legions under consul Gaius Marius in 102 BC); on the other hand, the eagle in early medieval iconography represented Saint John the Evangelist, ultimately based on the tradition of ...