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Mamotte! Lollipop (まもって！ロリポップ, Mamotte! Roripoppu, lit."Protect! Lollipop") is a Japanese manga series written and illustrated by Michiyo Kikuta (菊田みちよ, Kikuta Michiyo).
The kawaii aesthetic is characterized by soft or pastel colors, rounded shapes, and features which evoke vulnerability, such as big eyes and small mouths, and has become a prominent aspect of Japanese popular culture, influencing entertainment (including toys and idols), fashion (such as Lolita fashion), advertising, and product design.
Reviewing Qualia the Purple for Anime News Network, Christopher Farris generally praised the plot, characters, and science fiction elements of the story, and opined that the novel would work best if one went into the story knowing as little as possible about its plot twists. Farris described the early chapters of the story as "fun in an ...
Jynx (/ ˈ dʒ ɪ ŋ k s / ⓘ), known in Japan as Rougela (Japanese: ルージュラ, Hepburn: Rūjura), is a Pokémon species in Nintendo and Game Freak's Pokémon franchise. Jynx first appeared in the video games Pokémon Red and Blue and sequels, later appearing in various merchandise, spinoff titles, or animated and printed adaptations of the franchise.
Smile PreCure! [4] ( Japanese: スマイルプリキュア！, Hepburn: Sumairu PuriKyua!, lit. "Smile Pretty Cure!") is a 2012 Japanese anime television series produced by Toei Animation and the ninth installment in Izumi Todo's Pretty Cure metaseries, featuring the seventh generation of Cures. [5]
Ken Kaneki (金木 研, Kaneki Ken) Voiced by: Natsuki Hanae [1] [2] (Japanese); Austin Tindle [3] (English) Played by: Masataka Kubota The main protagonist of the story, Ken Kaneki (金木 研, Kaneki Ken) is an seventeen-year-old black haired university freshman that receives an organ transplant from Rize, who was trying to kill him before she was struck by a fallen I-beam and seemingly killed.
Turning Red is a 2022 American animated coming-of-age [4] fantasy comedy-drama film produced by Pixar Animation Studios for Walt Disney Pictures.It was directed by Domee Shi and produced by Lindsey Collins, from a screenplay written by Shi and Julia Cho, and a story by Shi, Cho, and Sarah Streicher.
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