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They also used the dagomba style, borrowed from Kru sailors from Liberia, to create highlife's two-finger picking style. [4] Guitar band highlife also featured singing, drums and claves. E.K. Nyame and his Akan Trio helped to popularize guitar band highlife, [7] and would release over 400 records during Nyame's lifetime. [4] Dance band highlife ...
The Fanti Osibisaaba music used together local percussion instruments together with guitars and the accordions of sailors of the Kru sailors of Liberia. The Fanti Osibisaaba pioneered Africanised cross-fingering guitar techniques which developed to be Ghanaian Highlife, Maringa of Sierra Leone , the Juju music of western Nigeria and "dry" music ...
He was taught guitar by a Liberian seaman. He is known to be the first Ghanaian to record highlife music in Ghana known as "Yaa Amponsah". In 1928, on Zonophone in London's Kingsway Hall EZ series, he recorded guitar-band highlife classic music with his melodic and finger-style guitar picking. He was accompanied by the Kumasi Trio, featuring ...
In the 1930s, Sam's Trio, led by Jacob Sam (Kwame Asare), was the most influential of the high-life guitar-bands. Their "Yaa Amponsah", three versions of which were recorded in 1928 for Zonophone, was a major hit that remains a popular staple of numerous high-life bands. The next major guitar-band leader was E. K. Nyame, who sang in Twi.
Emmanuel Kofi Nyame, best known as E.K. Nyame (24 December 1927 [1] – 19 January 1977), [2] was regarded as one of the "godfathers" of modern Ghanaian highlife music. [3] [4] He was a Ghanaian composer, guitarist, founder of E.K. band and the Akan Trio. [1] He is noted as the pioneer of highlife songs in Akan language on concert stages. [5]
Highlife was the most popular genre in Ghana and Nigeria during the 1960s. This arpeggiated highlife guitar part is essentially a guajeo. [53] The rhythmic pattern is known in Cuba as baqueteo. The pattern of attack-points is nearly identical to the 3-2 clave motif guajeo shown earlier in this article.