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For example, there exists a violin labelled "Francescus Rugerius Alumnus Nicolai Amati fecit Cremonæ 1663". [13] Nicolò Amati was the godfather to Francesco's son, Giacinto, indicating that the two families at least shared a close relationship and close collaboration would seem likely.
Amati (/ ə ˈ m ɑː t i /, Italian:) is the last name of a family of Italian violin makers who lived at Cremona from about 1538 to 1740. Their importance is considered equal to those of the Bergonzi, Guarneri, and Stradivari families. Today, violins created by Nicolò Amati are valued at around $600,000. [1]
(active c. 1730 – c. 1780) Naples, Italy.Nicolò Gagliano (also known as Nicolo, Nicola or the Latinised Nicolaus) was the eldest son of Alessandro and is generally considered the most famous luthier of the Gagliano family (he is known as Nicolò I to differentiate him from his grandson Nicolò II).
Andrea Amati (ca. 1505 - 1577, Cremona) was a luthier, from Cremona, Italy. [1] [2] Amati is credited with making the first instruments of the violin family that are in the form we use today. [3] Several of his instruments survive to the present day, and some of them can still be played.
With works of media art and interactive installations artists and scientists question media-technological developments and visions. Temporary exhibitions, such as "net_condition. Art/Politics in the Online Universe" [19] (September 1999 to February 2000), "Iconoclash.
German art has a long and distinguished tradition in the visual arts, from the earliest known work of figurative art to its current output of contemporary art. Germany has only been united into a single state since the 19th century, and defining its borders has been a notoriously difficult and painful process.
Jacob Stainer (c. 1618 [] –1683) was the earliest and best known Austrian and Germanic luthier.His violins were sought after by famous 17th- and 18th-century musicians and composers including Johann Sebastian Bach, Wolfgang Amadeus Mozart and George Simon-Lohein [].
Nicolaus Germanus was an influential figure in the modernization and popularization of Ptolemy's Geographia. At least fifteen manuscript copies of Geographia were authored by Germanus or immediately copied from his work. Except for the 1482 Florence edition, all versions printed in the fifteenth century were based on his manuscripts. [4]