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Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] is the post-antiquity name popularly applied to the statue carved of ivory alabaster by Pygmalion of Cyprus, which then came to life in Greek mythology.
In Greek mythology, Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] was the name of the following figures: Galatea, a Nereid who loved the shepherd Acis, and was loved by the cyclops Polyphemus. [2] Galatea, the statue of a woman created by Pygmalion and brought to life by Aphrodite. [3]
Acis and Galatea (/ ˈ eɪ s ɪ s /, / ɡ æ l ə ˈ t iː. ə / [1] [2]) are characters from Greek mythology later associated together in Ovid's Metamorphoses.The episode tells of the love between the mortal Acis and the Nereid (sea-nymph) Galatea; when the jealous Cyclops Polyphemus kills Acis, Galatea transforms her lover into an immortal river spirit.
Galatea is an ancient Greek name meaning "she who is milk ... In mythology. Galatea, three different mythological figures from Greek mythology; In the arts ...
In Greek mythology, Pygmalion (/ p ɪ ɡ ˈ m eɪ l i ən /; Ancient Greek: Πυγμαλίων Pugmalíōn, gen.: Πυγμαλίωνος) was a legendary figure of Cyprus . He is most familiar from Ovid 's narrative poem Metamorphoses , in which Pygmalion was a sculptor who fell in love with a statue he had carved.
Pygmalion and Galatea are two characters from Greco-Roman mythology. Pygmalion and Galatea may also refer to: Pygmalion and Galatea, a play by W. S. Gilbert; Pygmalion and the Image series, a series of paintings by Edward Burne-Jones; Pygmalion and Galatea (Gérôme painting), a painting by Jean-Léon Gérôme
The Triumph of Galatea is a fresco completed around 1512 by the Italian painter Raphael for the Villa Farnesina in Rome. [1] The Farnesina was built for the Sienese banker Agostino Chigi, one of the richest men of that age. The Farnese family later acquired and renamed the villa, smaller than the more ostentatious palazzo at the other side of ...
Acis and Galatea (HWV 49) is a musical work by George Frideric Handel with an English text by John Gay. The work has been variously described as a serenata , a masque , a pastoral or pastoral opera , a "little opera " (in a letter by the composer while it was being written), an entertainment and by the New Grove Dictionary of Music as an oratorio .