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In the key of B ♭, the numbers would be B ♭ =1, C=2, D=3, E ♭ =4, F=5, G=6, A=7. The key may be specified at the top of the written chord chart or given orally by the bandleader, record producer, or lead singer. The numbers do not change when transposing the composition into another key. They are relative to the new Tonic.
Printable version; In other projects ... Major sixth ninth chord ("6 add 9", [2] Nine six, [3] ... 0 3 7 9 2: Minor Minor thirteenth chord:
The second way is to use 2 instead of 9, implying that it is not a seventh chord, for instance, C 2. Note that this provides other ways of showing a ninth chord, for instance, C 7add 9, C 7add 2, or C 7/9. Generally however, this is shown as simply C 9, which implies a seventh in the chord.
Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
In music, just intonation or pure intonation is the tuning of musical intervals as whole number ratios (such as 3:2 or 4:3) of frequencies. An interval tuned in this way is said to be pure, and is called a just interval. Just intervals (and chords created by combining them) consist of tones from a single harmonic series of an implied ...
Dominant 7th chords are generally used throughout a blues progression. The addition of dominant 7th chords as well as the inclusion of other types of 7th chords (i.e. minor and diminished 7ths) are often used just before a change, and more changes can be added. A more complicated example might look like this, where "7" indicates a seventh chord:
[12] In jazz, 7 ♯ 9 chords, along with 7 ♭ 9 chords, are often employed as the dominant chord in a minor ii–V–I turnaround. For example, a ii–V–I in C minor could be played as: Dm 7 ♭ 5 – G 7 ♯ 9 – Cm 7. The 7 ♯ 9 represents a major divergence from the world of tertian chord theory, where chords are stacks of major and ...
A predecessor to lead sheets was created in May 1942 when George Goodwin, a radio station director, released the first Tune-Dex cards. Printing on 3-by-5-inch (7.6 by 12.7 cm) index cards that had the same size as library catalog cards, Goodwin provided lyrics, melody and chord symbols as well as copyright information. [4]