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"False God" is a song by the American singer-songwriter Taylor Swift from her seventh studio album, Lover (2019). Written and produced by Swift and Jack Antonoff , it has an atmospheric, slow-building production combining neo soul , R&B , smooth jazz , and sophisti-pop .
Where Did All The Good Folks Go; Where Goes The Wind; Which Road Leads To Heaven; Who's Gonna Teach My Children's Children; Whole World Is A Vineyard, The; Whole World Is Singing, The; Wonder If Anyone Cares At All; World Needs Some Good News Bad, The; World's Gonna Know We've Been Here; Wounds Of Calvary, The
The song is told through the eyes of a promiscuous young man who has had many sexual experiences, and plays upon the double-meaning of the word "heaven." He first recalls his baptism and how the preacher asked the protagonist (then a young boy), "Do you want to go to Heaven," referring to the religious concept of the afterlife (where good people go after their death).
Despite this version having a different title, the sleeve for the 7-inch single still shows the English name as "Good Girls Go to Heaven, Bad Girls Go Everywhere". The credits list Jim Steinman (as ジム・スタインマン) as composer, with the Japanese lyrics written by Keiko Aso (麻生圭子).
"Everybody Wants to Go to Heaven" is a country music song co-written by American songwriters Jim Collins and Marty Dodson. The song was initially to have been recorded by George Strait for his 2008 album Troubadour, but after Strait decided not to include the song on this album, it was recorded by Kenny Chesney instead. Released in August 2008 ...
It includes the songs "Low Key", "Always" and "Good Day", as well as the title track "God Is Good". It reached a peak of #5 on the Billboard Top Christian albums chart. [3] The EP was preceded by the All the Time EP, which was released on April 26, 2024, and included the same tracks as God Is Good, in addition to the song "All the Time" (with ...
It still sounds good today and shows that this band had some vast talent away from the stage." [21] "Althea" became a concert staple [14] and was ranked as the fifth best Grateful Dead song of all time by Stereogum, which said that the studio version "captures the band at its swampiest." Stereogum also considered Go to Heaven to be underrated. [22]
Swift to its close ebbs out life's little day; Earth's joys grow dim; its glories pass away; Change and decay in all around I see; O Thou who changest not, abide with me. Not a brief glance I beg, a passing word, But as Thou dwell'st with Thy disciples, Lord, Familiar, condescending, patient, free. Come not to sojourn, but abide with me.