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The Canadian Group of Painters succeeded the disbanded Group of Seven, whose modernist paintings of the Canadian north land had been a strong influence on Canadian art. [2] In the early 1930s, the Group of Seven's prominence had caused controversy as many believed that the National Gallery of Canada exhibited favouritism for their work [ 3 ...
Albert Henry Robinson RCA, also known as Albert H. Robinson and as A. H. Robinson (January 2, 1881 – September 7, 1956) was a Canadian landscape painter, an invited contributor to the first Group of Seven exhibition in 1920, [1] as well as a founding member of the Beaver Hall Group in 1920 and the Canadian Group of Painters in 1933.
McLaughlin served as the first woman president of the Canadian Group of Painters (1939–1945). [15] McLaughlin was also a member of the Ontario Society of Artists, as well as an executive member of the Heliconian Club in Toronto and its President (1940–1942). [16] She was also a member of the Federation of Canadian Artists (1942). [2]
In 1933, members of the Group of Seven decided to enlarge the group and formed the Canadian Group of Painters, made up of 28 artists from across the country. [50] Today, particularly with the work of Tom Thomson, the Group of Seven and Emily Carr, Canadian art is reaching new highs in the Canadian auction market. [51]
Le Refus global (English: Total Refusal) was an anti-establishment and anti-religious manifesto released on August 9, 1948, in Montreal by a group of sixteen young Québécois artists and intellectuals that included Paul-Émile Borduas, Jean-Paul Riopelle and Françoise Sullivan.
The Eastern Group of Painters was a group of Canadian artists formed in 1938 in Montreal, Quebec for exhibition purposes [1] and showing together as a group till 1950. It included Montreal artists whose common interest was painting and an art for art's sake aesthetic, not the espousal of a nationalist theory as was the case with the Group of Seven or the Canadian Group of Painters.
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Fine Weather, Georgian Bay is an oil painting by the Canadian painter J.E.H. MacDonald, a member of one of the most well known Canadian group of painters, the Group of Seven. The painting was first exhibited at the Ontario Society of Artists in 1913.