Search results
Results From The WOW.Com Content Network
An anticlimax or anti-climax is an abrupt descent (either deliberate or unintended) on the part of a speaker or writer from the dignity of idea at which they appeared to aim, [10] as in: "The English poet Herrick expressed the same sentiment when he suggested that we should gather rosebuds while we may. Your elbow is in the butter, sir." [11]
Death of Caesar, the climax of Shakespeare's play, Julius Caesar. The climax (from Ancient Greek κλῖμαξ (klîmax) 'staircase, ladder') or turning point of a narrative work is its point of highest tension and drama, or it is the time when the action starts during which the solution is given.
"depth") is a literary term, first used in this sense in Alexander Pope's 1727 essay "Peri Bathous", [1] to describe an amusingly failed attempt at presenting artistic greatness. Bathos has come to refer to rhetorical anticlimax , an abrupt transition from a lofty style or grand topic to a common or vulgar one, occurring either accidentally ...
Anti-climax or anticlimax (that is, the opposite of climax in its various meanings) may refer to: Anticlimax (narrative), a literary element; Anticlimax (figure of speech), a rhetorical device; Anticlimax, a genus of sea snails; Anticlimax: A Feminist Perspective on the Sexual Revolution, a 1990 book by Sheila Jeffreys
A paraprosdokian (/ p ær ə p r ɒ s ˈ d oʊ k i ə n /), or par'hyponoian, is a figure of speech in which the latter part of a sentence, phrase, or larger discourse is surprising or unexpected in a way that causes the reader or listener to reframe or reinterpret the first part.
In its original sense, a shaggy-dog story or yarn is an extremely long-winded anecdote characterized by extensive narration of typically irrelevant incidents and terminated by an anticlimax. In other words, it is a long story that is intended to be amusing and that has an intentionally silly or meaningless ending.
This list is for characters in fictional works who exemplify the qualities of an antihero—a protagonist or supporting character whose characteristics include the following: imperfections that separate them from typically heroic characters (such as selfishness, cynicism, ignorance, and bigotry); [1]
Don Juan by Lord Byron (1824), an example of a "mock" epic in that it parodies the epic style of the author's predecessors [12] Camões by Almeida Garrett (1825), narrating the last years and deeds of Luís de Camões; Dona Branca by Almeida Garrett (1826), the fantastic tale of the forbidden love between Portuguese princess Branca and Moorish ...