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Léon is an Italian-American hitman (or "cleaner", as he refers to himself) working for a mafioso named "Old Tony" in the Little Italy neighborhood of New York City. One day, Léon meets Mathilda Lando, a lonely twelve-year-old who lives with her dysfunctional family in an apartment down the hall from Léon and has stopped attending class at her school for troubled girls.
Leon Phelps (also known as the "Ladies Man") was a Saturday Night Live character played by Tim Meadows during the 1990s.The sketch was that of a broadcast program in which Phelps, a young, suave black man, would give dubious romantic advice and lovemaking tips. [3]
According to Leon, "The script has been following me around for 3 1 ⁄ 2 years." He signed on when Gibson was the director at the time. Leon told The Seattle Times, "I was signed more than a year before we actually started." [4] [6] Doug got involved with the film in 1990: "I found Cool Runnings three years ago, when my agent had it on his ...
Above the Rim is a 1994 American sports drama film co-written and directed by Jeff Pollack in his directorial debut. [2] The screenplay was written by Barry Michael Cooper, [2] adapted from a story by Benny Medina.
The Dollars Trilogy (Italian: Trilogia del dollaro), also known as the Man with No Name Trilogy (Italian: Trilogia dell'Uomo senza nome), is an Italian film series consisting of three spaghetti western films directed by Sergio Leone.
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In Apartheid South Africa, white boy Rhino Labuschagne and Zulu Mashebela were best friends until Rhino, pressured by his American girlfriend, Rowena, shoots a can off Zulu's head, abruptly ending their friendship. 25 years later, Zulu has become a car thief in New York, picking up an American accent but not forgetting his roots as "the champion mud slinger of the world".
Mr. Bones is a 2001 South African comedy film directed by Gray Hofmeyr. Leon Schuster starred in the title role. He also created the story and co-wrote the screenplay. The film sets African "tradition" in opposition to forces of ambition and greed in contemporary South Africa, and plays on reversals of racial stereotypes for its humour.