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The earliest type of personification of the Americas, seen in European art from the 16th century onwards, reflected the tropical regions in South and Central America from which the earliest European travelers reported back. Such images were most often used in sets of female personifications of the four continents. America was depicted as a ...
America was personified as a female figure with a feathered head dress in European court culture, Philips Galle, Rijksmuseum. [1] Early European personifications of America, meaning the Americas, typically come from sets of the four continents: Europe, Asia, Africa, and America. These were all that were then known in Europe.
Single images of personifications tend to be titled as an "allegory", arguably incorrectly. [11] By the late 20th century personification seemed largely out of fashion, but the semi-personificatory superhero figures of many comic book series came in the 21st century to dominate popular cinema in a number of superhero film franchises.
The concept of liberty has frequently been represented by personifications, often loosely shown as a female classical goddess. [1] Examples include Marianne, the national personification of the French Republic and its values of Liberté, Égalité, Fraternité, and the female Liberty portrayed in artworks, on United States coins beginning in 1793, and many other depictions.
Examples of personifications of the Goddess of Liberty include Marianne, the Statue of Liberty (Liberty Enlightening the World), and many examples of United States coinage. Another ancient model was Roma , a female deity who personified the city of Rome and his dominion over the territories of the Roman Empire . [ 1 ]
In ancient Roman religion, Roma was a female deity who personified the city of Rome and, more broadly, the Roman state. [1] She was created and promoted to represent and propagate certain of Rome's ideas about itself, and to justify its rule. She was portrayed on coins, sculptures, architectural designs, and at official games and festivals.
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In Greek vase paintings, particularly from 5th century Athens, Eucleia is frequently shown among the attendants of Aphrodite, where she represents the good repute of a chaste bride or is performing stereotypically feminine tasks.