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Anthropology of art is a sub-field in social anthropology dedicated to the study of art in different cultural contexts. Traditionally the anthropology of art has focused on historical, economic and aesthetic dimensions in non-Western art forms, including what is known as 'tribal art'. It has now broadened to include all art.
Howard Morphy (born 13 June 1947) is a British anthropologist who has conducted extensive fieldwork in northern Australia, mainly among the Yolngu people. He was founding director of the Research School of Humanities and the Arts at the Australian National University and is currently a distinguished professor of anthropology.
Robert Layton's 1991 book, The Anthropology of Art (Cambridge University Press), [5] seeks to place the study of art within an anthropological framework. He rejects the use of the word primitive when discussing art because he argues that this implies that the origins and early development of art is then evident in art in modern cultures. [6]
In North America, anthropology is traditionally divided into four major subdisciplines: biological anthropology, sociocultural anthropology, linguistic anthropology and archaeology. [ 6 ] [ 7 ] Other academic traditions use less broad definitions, where one or more of these fields are considered separate, but related, disciplines.
In his 1998 book Art and Agency, Gell formulated an influential theory of art based on abductive reasoning.Gell argues that art in general (although his attention focuses on visual artifacts, like the prows of the boats of the Trobriand islands) acts on its users, i.e. achieves agency, through a sort of technical virtuosity.
Among the book series in the arts published by Cambridge University Press are: [4] Cambridge Film Classics; Cambridge Library Collection - Art and Architecture; Cambridge Studies in the History of Art; Contemporary Artists and their Critics; Fitzwilliam Museum Handbooks; Fitzwilliam Museum Publications; Greater Medieval Houses