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As early as the 16th century, samurai were said to have created oshibana as one of their disciplines to promote patience, harmony with nature and powers of concentration. [citation needed] Similarly, as botanists in Europe began systematic collection and preservation of specimens, art forms with the pressed plant materials developed, particularly during the Victorian era.
Azuchi–Momoyama period, 16th century, Kyushu National Museum. Nanban art (南蛮美術) refers to Japanese art of the sixteenth and seventeenth centuries influenced by contact with the Nanban (南蛮) or 'Southern barbarians', traders and missionaries from Europe and specifically from Portugal. It is a Sino-Japanese word, Chinese Nánmán ...
The earliest complex art in Japan was produced in the 7th and 8th centuries in connection with Buddhism. In the 9th century, as the Japanese began to turn away from China and develop indigenous forms of expression, the secular arts became increasingly important; until the late 15th century, both religious and secular arts flourished.
Japan in the late 16th century The three unifiers of Japan: from left to right: Oda Nobunaga, Toyotomi Hideyoshi and Tokugawa Ieyasu In and around the Kinai , the most politically important region in Japan, Oda Nobunaga allied with Tokugawa Ieyasu to increase his power.
Ryōan-ji (late 16th century) in Kyoto, Japan, a famous example of a Zen garden. Japanese gardens started out as very simple open spaces that were meant to encourage kami, or spirits, to visit. During the Kamakura period Zen ideals began to influence the art of garden design in Japan. [8]
Japanese Modern Art Painting From 1910 . Edition Stemmle. ISBN 3-908161-85-1; Watson, William, The Great Japan Exhibition: Art of the Edo Period 1600-1868, 1981, Royal Academy of Arts/Weidenfeld & Nicolson; Momoyama, Japanese art in the age of grandeur. New York: The Metropolitan Museum of Art. 1975. ISBN 978-0-87099-125-7. Murase, Miyeko (2000).
Cypress Trees (檜図, hinoki-zu) is a Kanō-school byōbu or folding screen attributed to the Japanese painter Kanō Eitoku (1543–1590), one of the most prominent patriarchs of the Kanō school of Japanese painting. The painting dates to the Azuchi–Momoyama period (1573–1615).
16th-century Japanese literature (1 C) M. 16th-century military history of Japan (1 C, 19 P) P. 16th-century Japanese people (7 C, 83 P) S. Sengoku period (9 C, 39 P) Y.