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  2. Fiersa Besari - Wikipedia

    en.wikipedia.org/wiki/Fiersa_Besari

    Besari has made several albums, including Tempat Aku Pulang (2014) and Konspirasi Alam Semesta (2015) and has recorded hit songs including "Celengan Rindu", "Waktu yang Salah" dan "April". As an author, he has produced six novels and also involved as one of the founders of Komunitas Pecandu Buku (English: Book Addict Community). Besari is also ...

  3. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    IV-V-I-VI chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...

  4. Chord (music) - Wikipedia

    en.wikipedia.org/wiki/Chord_(music)

    Guitarist performing a C chord with G bass. In music, a chord is a group of three or more notes played simultaneously, typically consisting of a root note, a third, and a fifth. [a] Chords are the building blocks of harmony and form the harmonic foundation of a piece of music. They can be major, minor, diminished, augmented, or extended ...

  5. Royal road progression - Wikipedia

    en.wikipedia.org/wiki/Royal_road_progression

    IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...

  6. Half-diminished seventh chord - Wikipedia

    en.wikipedia.org/wiki/Half-diminished_seventh_chord

    In dominant function, the VII half diminished chord, like its fully diminished counterpart, can take the place of the dominant V chord at a point of cadential motion. This chord, sometimes called a leading-tone diminished seventh chord, is represented by the Roman numeral notation vii ø 7, the root of which is the leading-tone to the tonic. [3]

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  8. Second inversion - Wikipedia

    en.wikipedia.org/wiki/Second_inversion

    4 chord (as in I 6 4), while a second-inversion seventh chord is a 4 3 chord. Inversions are not restricted to the same number of tones as the original chord, nor to any fixed order of tones except with regard to the interval between the root, or its octave, and the bass note, hence, great variety results. [2]

  9. Added tone chord - Wikipedia

    en.wikipedia.org/wiki/Added_tone_chord

    The practice of adding tones may have led to superimposing chords and tonalities, though added tone chords have most often been used as more intense substitutes for traditional chords. [3] For instance a minor chord that includes a major second factor holds a great deal more dramatic tension due to the very close interval between the major ...