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Jules-Joseph Lefebvre, The Grasshopper (1872), National Gallery of Victoria, Australia. Because of the influence of La Fontaine's Fables, in which La cigale et la fourmi stands at the beginning, the grasshopper then became the proverbial example of improvidence in France: so much so that Jules-Joseph Lefebvre (1836–1911) could paint a picture of a female nude biting one of her nails among ...
The Duess Test is a projective test for young children. It consists of ten short incomplete stories to which children must think of endings. The test was developed in Switzerland by Louisa Düss. [1] The test, which is also known as Duess fables, was first translated to English by Louise Despert in 1946. [2]
The folly of trying to keep up with the Joneses is the conclusion drawn by La Fontaine's Fables from the Phaedrus version of the tale, applying it to the artistocratic times in which La Fontaine lived ("The frog that wished to be as big as the ox", Fables I.3):
Fairy tales are stories that range from those in folklore to more modern stories defined as literary fairy tales. Despite subtle differences in the categorizing of fairy tales, folklore, fables, myths, and legends, a modern definition of the literary fairy tale, as provided by Jens Tismar's monograph in German, [1] is a story that differs "from an oral folk tale" in that it is written by "a ...
Articles relating to fables, succinct fictional stories, in prose or verse, that feature animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrate or lead to a particular moral lesson (a "moral"), which may at the end be added explicitly as a concise maxim.
"The Wolf accusing the Fox before the Monkey" from La Fontaine's collection Fables. An animal tale or beast fable generally consists of a short story or poem in which animals talk. They may exhibit other anthropomorphic qualities as well, such as living in a human-like society. It is a traditional form of allegorical writing. [1]
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A poetic version set for children's voices and piano by Edward Hughes in his Songs from Aesop's Fables (1965) The cellist Evalyn Steinbock's setting for violin, cello and narrator in 1979; As the first of Anthony Plog's Aesop's Fables for narrator, piano and horn (1989/93), in which the instruments mimic the pace of the animals [36]