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A Kalighat painting of Goddess Kali. This is a representation of the idol installed in the Kalighat Temple, around which the Kalighat School of painting developed. Kalighat painting, Kalighat Patachitra, or Kalighat Pat (Bengali: কালীঘাট পটচিত্র ) is a style of Indian paintings which originated in the 19th century.
Raudram rasa of the destructive fury of goddess Durga in Bharatanatyam. The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others.
From the depiction of Hindu gods other mythological characters, the Kalighat paintings developed to reflect a variety of themes. Rasmancha, Bishnupur . Built by King Bir Hambir, the temple has an unusual elongated pyramidical tower, surrounded by hut-shaped turrets, which were very typical of Bengali roof structures of the time.
Mitra, the god of oaths, promises, and friendships; Varuna, the god of water the seas, the oceans, and rain; Indra, also called Śakra, the king of gods, and the god of weather, storms, rain, and war; Savitr, the god of the morning sun; associated with Surya; Aṃśa, solar deity; associated with Surya; Aryaman the god of customs, hospitality ...
A popular form is the Sri Chakra, or Sri Yantra, which represents the goddess in her form as Tripura Sundari. Sri Chakra also includes a representation of Shiva , and is designed to show the totality of creation and existence, along with the user's own unity with the cosmos.
Lakshmi is the goddess of fortune, wealth, fertility, auspiciousness, light, and material and spiritual fulfillment, as well as the consort of Vishnu, the maintainer or preserver. [5] However, Lakshmi does not signify mere material wealth, but also abstract prosperity, such as glory, magnificence, joy, exaltation, and greatness, and spiritual ...
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Bhumi (Sanskrit: भुमि, romanized: Bhūmi), also known as Bhudevi, Dharani, Vasundhara and Avani is a significant goddess in Hinduism, personifying the Earth. She is regarded to be a form of the Goddess Lakshmi. Her earliest form is reflected in the Vedic goddess Prithvi, though their roles and depictions are drastically different. [3]