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Gnawa singer in Salé, Morocco. Gnawa music (Ar. ڭْناوة or كْناوة) is a body of Moroccan religious songs and rhythms. [1] [2] Emerging in the 16th and 17th centuries, Gnawa music developed through the cultural fusion of West Africans brought to Morocco, notably the Hausa, Fulani, and Bambara peoples, whose presence and heritage are reflected in the songs and rituals.
Umhlanga is known for its dance, performed exclusively by women, and its 5-day ceremony, which involves reed-cutting. [1] Traditional instruments used include: the kudu horn, calabash, rattles, makeyana and reed flute. [1] With Eswatini being a small country, there's only a handful of artists who have made a name worth remembering in the music ...
Now practiced in North Africa in the form of the Andalusi nubah, [12] this tradition has also had considerable effect on Ottoman classical music, especially in the Sephardic romance and Maftirim repertoire. [13] Ottoman classical music: At least 3rd century AD (as Persian traditional music), emerged as a unique tradition in the 17th century. [9 ...
Imagine Central Park, with its paths and so on, and you skate around and sing Christmas songs,” a U.K.-based Venezuelan told the magazine, noting also: “It’s not like people roller skate all ...
Ululation is commonly used in Middle Eastern weddings. In the Arab world, zaghārīt (Arabic: زغاريت) is a ululation performed to honor someone. For example, zagharits are widely performed and documented in Egyptian movies featuring traditional Egyptian weddings, where women are known for their very long and very loud performed ululations.
The rites and prayers in the Blessing Way are concerned with healing, creation, harmony and peace. The song cycles recount the elaborate Navajo creation story (Diné Bahaneʼ). One of the most important Blessing Way rites is the Kinaaldá ceremony, in which a young girl makes the transition to womanhood upon her menarche. [1]
"World music" is an English phrase for styles of music from non-English speaking countries, including quasi-traditional, intercultural, and traditional music. World music's broad nature and elasticity as a musical category pose obstacles to a universal definition, but its ethic of interest in the culturally exotic is encapsulated in Roots ...
The ceremonies are accompanied with music and must adhere to specific composition formalities as practiced by Yup’ik ancestors. This musical forms of songs are warm-up chorus ( ayakata’aryaraq ), chorus ( agnera ), first verse ( apalluan ciuqlia ), voiceless motion ( cauyarialnguq ), second verse ( apalluan kinguqlia ), encore ( pamyua ).