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Arnold, Janet: Patterns of Fashion: the cut and construction of clothes for men and women 1560–1620, Macmillan 1985. Revised edition 1986. (ISBN 0-89676-083-9) Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660.
As in the 5th and 6th centuries, a linen shirt acted as an undergarment. Men generally wore a knee-length linen or woolen tunic, depending on the season, over their shirts. The sleeves of the tunic were long and close-fitting and excess material was pushed up the arm from the elbow to the wrist so that "rolls" were formed in the material. [ 27 ]
Her matching linen kerchief, collar and cuffs are trimmed with lace, and she wears a high-necked chemise or partlet, the Netherlands, 1641. Hester Tradescant's costume is trimmed in lace in keeping with her station, but she wears the closed linen cap or coif, tall hat, unrevealing neckline, and sober colours favoured by Puritans, c. 1645. Her ...
A signature white, ruffled shirt once owned by Prince is expected to fetch thousands of dollars in an online auction this week. Prince’s iconic white, ruffled ‘Purple Rain’ shirt is up for ...
The tunic or chiton was worn as a shirt or gown by all genders among the ancient Romans. The body garment was loose-fitting for males, usually beginning at the neck and ending above the knee. A woman's garment could be either close fitting or loose, beginning at the neck and extending over a skirt or skirts.
Shirts of linen or cotton featured high upstanding or turnover collars, and neckties grew wider and were tied in a bow or looped into a loose knot and fastened with a stickpin. Heavy padded and fitted frock coats (in French redingotes ), now usually single-breasted and knee length, were worn for business occasions, over waistcoats or vests with ...
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