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Scottish art is the body of visual art made in what is now Scotland, or about Scottish subjects, since prehistoric times. It forms a distinctive tradition within European art, but the political union with England has led its partial subsumation in British art .
This is a timeline of Scottish history, comprising important legal and territorial changes and political events in Scotland and its predecessor states. See also Timeline of prehistoric Scotland . To read about the background to many of these events, see History of Scotland .
The Renaissance in Scotland was a cultural, intellectual and artistic movement in Scotland, from the late fifteenth century to the beginning of the seventeenth century. It is associated with the pan-European Renaissance that is usually regarded as beginning in Italy in the late fourteenth century and reaching northern Europe as a Northern Renaissance in the fifteenth century.
Insular art, or Hiberno-Saxon art, is the name given to the common style produced in Scotland, Britain and Anglo-Saxon England from the 7th century, with the combining of Celtic and Anglo-Saxon forms. [106] Surviving examples of Insular art are found in metalwork, carving, but mainly in illuminated manuscripts. Surfaces are highly decorated ...
John Lee (1779–1859) by John Watson Gordon. Henry Raeburn (1756–1823) was the first significant artist to pursue his entire career in Scotland. Born in Edinburgh and returning there after a trip to Italy in 1786, he is most famous for his intimate portraits of leading figures in Scottish life, going beyond the aristocracy to lawyers, doctors, professors, writers and ministers, [8] adding ...
Insular art, or Hiberno-Saxon art, is the name given to the common style produced in Scotland, Britain and Anglo-Saxon England from the seventh century, with the combining of Celtic and Anglo-Saxon forms. [11] Surviving examples of Insular art are found in metalwork, carving, but mainly in illuminated manuscripts. In manuscripts surfaces are ...
The Royal Arms of Scotland [2] is a coat of arms symbolising Scotland and the Scottish monarchs.The blazon, or technical description, is "Or, a lion rampant Gules armed and langued Azure within a double tressure flory counter-flory of the second", meaning a red lion with blue tongue and claws on a yellow field and surrounded by a red double royal tressure flory counter-flory device.
Art was increasingly influenced by Neoclassicism, the Enlightenment and towards the end of the century by Romanticism, with Italy becoming a major centre of Scottish art. The origins of the tradition of Scottish landscape painting are in the capriccios of Italian and Dutch landscapes undertaken by James Norie and his sons.