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Jane Hirshfield (born February 24, 1953 [1]) is an American poet, essayist, and translator, known as 'one of American poetry's central spokespersons for the biosphere' and recognized as 'among the modern masters,' 'writing some of the most important poetry in the world today.' A 2019 elected member of the American Academy of Arts & Sciences ...
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Shelley wrote a number of poems devoted to Jane including With a Guitar, To Jane, One Word is Too Often Profaned, To Jane: The Invitation, To Jane: The Recollection and To Jane: The Keen Stars Were Twinkling. [2] In One Word is Too Often Profaned, Shelley rejects the use of the word Love to describe his relationship with Jane. He says that this ...
Structurally, for colored girls is a series of 20-22 poems, depending on whether "my love is too" and "positive" are included in the list, collectively called a "choreopoem." Shange's poetry expresses many struggles and obstacles that African-American women may face throughout their lives and is a representation of sisterhood and coming of age ...
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The song was written for and appeared in the Bob Hope and Jane Russell film The Paleface and won the Academy Award for Best Original Song. [3] It was originally written with a Native American theme, but was changed when the director said that would not work in the movie. [5] It was a vocal selection on many radio programs in late 1948.
Yellow Silk has showcased the work of a long list of notable writers and artists. Authors who have appeared in Yellow Silk include: Kim Addonizio, Angela Ball, Carolyn Banks, Robert Bly, Angela Carter, Marilyn Chin, Wanda Coleman, Franz Douskey, Margaret Drabble, Anita Endrezze, Louise Erdrich, Susan Griffin, Marilyn Hacker, Jane Hirshfield, Ha Jin, Galway Kinnell, William Kotzwinkle, Dorianne ...
(Helen) Hope Mirrlees (8 April 1887 – 1 August 1978) was a British poet, novelist and translator. She is best known for the 1926 Lud-in-the-Mist, an influential fantasy novel, [1] and for Paris: A Poem (1920), an experimental poem published by Virginia and Leonard Woolf's Hogarth Press, which critic Julia Briggs deemed "modernism's lost masterpiece, a work of extraordinary energy and ...