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Blind men and the elephant, 1907 American illustration. Blind Men Appraising an Elephant by Ohara Donshu, Edo Period (early 19th century), Brooklyn Museum. The parable of the blind men and an elephant is a story of a group of blind men who have never come across an elephant before and who learn and imagine what the elephant is like by touching it.
Adhipataka Sutta / Upāti Sutta X. Uppajjanti Sutta Tittha Suttha comprises three of these sutras, where the parable of the monks and the elephant is found in the first, viz. sutra number 4. The parable is usually referred to as "The story of the blind men and the elephant".
The blind men and an elephant is a fable that originated in the Indian subcontinent from where it has widely diffused. It is a story of a group of blind men (or men in the dark) who touch an elephant to learn what it is like. Each one feels a different part, but only one part, such as the side or the tusk.
Seven blind men and an elephant parable. The Jain texts explain the anekāntvāda concept using the parable of blind men and an elephant, in a manner similar to those found in both Buddhist and Hindu texts about limits of perception and the importance of complete context. The parable has several Indian variations, but broadly goes as follows ...
The Blind Leading the Blind, Blind, or The Parable of the Blind (Dutch: De parabel der blinden) is a painting by the Netherlandish Renaissance artist Pieter Bruegel the Elder, completed in 1568. Executed in distemper on linen canvas, it measures 86 cm × 154 cm (34 in × 61 in).
In Spike Magazine, Edmund Hardy writes: "Hofmann’s prose is so concentrated and unrelenting that claustrophobia turns to terrible awareness . . .[the] novel is a joke on metaphor—which, classically, bridges the inward mental activity to the world of appearances, left in this novel as a swing bridge hanging over the water—making the parable, 'in this light', a parable of the parables."
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