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The Slough of Despond, illustrated by Rachael Robinson Elmer, 1913. The Slough of Despond (/ ˈ s l aʊ ... d ɪ ˈ s p ɒ n d / or / ˈ s l uː /; [1] "swamp of despair") is a fictional bog in John Bunyan's allegory The Pilgrim's Progress, into which the protagonist Christian sinks under the weight of his sins and his sense of guilt for them.
The entire book is presented as a dream sequence narrated by an omniscient narrator.The allegory's protagonist, Christian, is an everyman character, and the plot centres on his journey from his hometown, the "City of Destruction" ("this world"), to the "Celestial City" ("that which is to come": Heaven) atop Mount Zion.
The whole is grouped around Psalm 127, which was composed by Solomon, which stands in he middle between te first and the last of the pilgrim poems. On both sides there stands a heptade [ a grouping of seven] of Pilgrim Songs, consisting of two songs by David and five new ones which have no name... Each heptade contains the name Yahweh 24 times ...
The Pilgrims' Song from Hassan and its setting by Delius play a pivotal role at the beginning of Elizabeth Goudge's novel The Castle on the Hill (1942). [14] Tracy Bond quotes an amended stanza from Hassan in the 1969 film On Her Majesty's Secret Service as she looks out of the window of Piz Gloria at the sun rising over the Swiss alps:
As a judge and Arizona legislator, a cancer survivor and child of the Texas plains, Sandra Day O'Connor was like the pilgrim in the poem she sometimes quoted – forging a new path and building a ...
The frame story of the poem, as set out in the 858 lines of Middle English which make up the General Prologue, is of a religious pilgrimage. The narrator, Geoffrey Chaucer, is in The Tabard Inn in Southwark, where he meets a group of 'sundry folk' who are all on the way to Canterbury, the site of the shrine of Saint Thomas Becket, a martyr reputed to have the power of healing the sinful.
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The form of the translation, closely modelled on that of the French original, is a particular type of an alphabetical poem. Both acrostics are composed of 23 stanzas, 12-lines-long in Guillaume's case and 8-lines-long in Chaucer's, each stanza beginning with letters from A to Z in order (J, U, and W excluded). While its precise date is not ...