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In act 1, scene 3, Shylock finally agrees to lend Bassanio three thousand ducats they all agree to the loan, Bassanio offers Shylock to eat with him, but he denies the offer on the grounds of eating with Christians. After a long debate about the Jewish versus Christian morality of charging interest on loans, Shylock decides to add a clause that ...
The Merchant of Venice is a play by William Shakespeare, believed to have been written between 1596 and 1598.A merchant in Venice named Antonio defaults on a large loan taken out on behalf of his dear friend, Bassanio, and provided by a Jewish moneylender, Shylock, with seemingly inevitable fatal consequences.
In The Merchant of Venice, Act IV, Scene i, Shylock and Bassanio enter into an argument using stichomythia at 4.1.65-9, which "catches the dramatic tension of a quasi-forensic interrogation": [12] SHYLOCK: I am not bound to please thee with my answers. BASSANIO: Do all men kill the things they do not love?
The Quality of Mercy, a Socialist novel by William Dean Howells, published in 1892; The Quality of Mercy: An Autobiography, by American actress Mercedes McCambridge, published in 1981
All of the marriages that ended The Merchant of Venice are unhappy, Antonio is an obsessive bore reminiscing about his escape from death, but Shylock, freed from religious prejudice, is richer than before and a close friend and confidant of the Doge. Arnold Wesker's play The Merchant (1976) is a reimagining of Shakespeare's story. [12]
"Deconstructing the Christian Merchant: Antonio and The Merchant of Venice." Shofar 20.2 (2002) Schneiderman, Jason (2014). "Four Poems". The American Poetry Review. 43 (1): 14– 15. ISSN 0360-3709. JSTOR 24592298. Shakespeare, William, and Kenneth Myrick. The Merchant of Venice with New and Updated Critical Essays and a Revised Bibliography ...
The Merchant of Venice is a 2004 romantic drama film based on William Shakespeare's play.It is the first full-length sound film in English of Shakespeare's play—other versions are videotaped productions that were made for television, including John Sichel's 1973 version and Jack Gold's 1980 BBC production.
In 1876, the critic J. Weiss was the first to assert that Portia assists Bassanio. More recent critics that take this view are S. F. Johnson, in "How Many Ways Portia Informs Bassanio's Choice," and Michael Zuckert in "The New Medea: On Portia's Comic Triumph in The Merchant of Venice," both in 1996.