Search results
Results From The WOW.Com Content Network
Helmholtz resonator, p. 121, fig. 32. On the Sensations of Tone as a Physiological Basis for the Theory of Music (German Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik), commonly referred to as Sensations of Tone, is a foundational work on music acoustics and the perception of sound by Hermann von Helmholtz.
In perceptual psychology, unconscious inference (German: unbewusster Schluss), also referred to as unconscious conclusion, [1] is a term coined in 1867 by the German physicist and polymath Hermann von Helmholtz to describe an involuntary, pre-rational and reflex-like mechanism which is part of the formation of visual impressions.
Helmholtz's polyphonic siren, Hunterian Museum, Glasgow. Hermann Ludwig Ferdinand von Helmholtz (/ ˈ h ɛ l m h oʊ l t s /; German: [ˈhɛʁ.man vɔn ˈhɛlmˌhɔlts]; 31 August 1821 – 8 September 1894; "von" since 1883) was a German physicist and physician who made significant contributions in several scientific fields, particularly hydrodynamic stability. [2]
Research into spontaneous trait inference began with Hermann von Helmholtz and his unconscious inference [4] postulation. [5] He first formed this concept to describe human perception of optical illusions, and then in his third volume of "The Treatise on Physiological Optics", connected the concept to social psychology and human interaction. [6]
The naming of individual Cs using the Helmholtz system. Helmholtz pitch notation is a system for naming musical notes of the Western chromatic scale.Fully described and normalized by the German scientist Hermann von Helmholtz, it uses a combination of upper and lower case letters (A to G), [a] and the sub- and super-prime symbols ( ͵ ′ or ⸜ ⸝) to denote each individual note of the scale.
Download as PDF; Printable version; ... Hermann von Helmholtz ... apperception theory, the psychology of striving, i.e. volition and voluntary tendency, principles of ...
The scientific study of mental chronometry, one of the earliest developments in scientific psychology, has taken on a microcosm of this division as early as the mid-1800s, when scientists such as Hermann von Helmholtz and Wilhelm Wundt designed reaction time tasks to attempt to measure the speed of neural transmission.
Musical acoustics or music acoustics is a multidisciplinary field that combines knowledge from physics, [1] [2] [3] psychophysics, [4] organology [5] (classification of the instruments), physiology, [6] music theory, [7] ethnomusicology, [8] signal processing and instrument building, [9] among other disciplines.