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Guys and Dolls is a musical with music and lyrics by Frank Loesser and book by Jo Swerling and Abe Burrows.It is based on "The Idyll of Miss Sarah Brown" (1933) and "Blood Pressure", which are two short stories by Damon Runyon, [1] [2] and also borrows characters and plot elements from other Runyon stories, such as "Pick the Winner".
Guys and Dolls opened on November 3, 1955, at the Capitol Theatre in New York City [22] to mostly positive reviews. Rotten Tomatoes reports that 91% out of 33 critics have given the film a positive review, with a rating average of 7.7/10 and the consensus: "An escapist and inventive cinemascope delight, Guys and Dolls glistens thanks to the ...
Loesser originally called the song "Three Cornered Tune," and it was to be sung in Guys and Dolls by the characters Sarah Brown, Nathan Detroit, and Sky Masterson. As the play took shape, the characters singing the song were changed to Nicely-Nicely Johnson, Benny Southstreet, and Rusty Charlie, and the song was placed at the beginning of the ...
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Frank Henry Loesser (/ ˈ l ɛ s ər / "lesser"; June 29, 1910 – July 28, 1969) was an American songwriter who wrote the music and lyrics for the Broadway musicals Guys and Dolls and How to Succeed in Business Without Really Trying, among others. He won a Tony Award for Guys and Dolls and shared the Pulitzer Prize for Drama for How to Succeed.
Reviewing the original Broadway production of Guys and Dolls, Wolcott Gibbs wrote in The New Yorker that "More I Cannot Wish You" is "one of the pleasantest things in the show." [7] The New York Daily News review said that "More I Cannot Wish You" "is worthy of Rooney's old, sure charm." [8]
The four discs feature the scores of four popular Broadway musicals of the time – namely Finian's Rainbow (1947), Kiss Me, Kate (1948), South Pacific (1949), and Guys and Dolls (1950) – as performed by various Reprise artists. The "Guys and Dolls" album [2] was issued on CD in 1992
The song was introduced in the Broadway musical, Guys and Dolls, which opened at the 46th Street Theatre on November 24, 1950. In the context of the show, gambler Nicely-Nicely Johnson invents a dream about being saved from hell in order to bring together the members of the prayer meeting.