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ntoskrnl.exe (short for Windows NT operating system kernel executable), also known as the kernel image, contains the kernel and executive layers of the Microsoft Windows NT kernel, and is responsible for hardware abstraction, process handling, and memory management.
The Lutheran Michael Praetorius composed a mass for double choir in the old style, which he published in 1611 in the collection of church music for the mass in Latin, Missodia Sionia. Composers such as Henri Dumont (1610–1684) continued to compose plainsong settings, distinct from and more elaborate than the earlier Gregorian chants. [4]
These sections, the "proper" of the mass, change with the day and season according to the church calendar, or according to the special circumstances of the mass. The proper of the mass is usually not set to music in a mass itself, except in the case of a Requiem Mass, but may be the subject of motets or other musical
The Emory Hymnal: a collection of sacred hymns and music for use in public worship (1887) [464] Selection of Hymns, for the use of the first M. E. Church, [465] Cape May City [466] The Emory Hymnal: No. 2, sacred hymns and music for use in public worship (1891) [467] Hymnal of the Methodist Episcopal Church (1891) [468]
The dominant style in English-speaking Canada and the United States began as Gregorian chant and folk hymns, superseded after the 1970s by a folk-based musical genre, generally acoustic and often slow in tempo, but that has evolved into a broad contemporary range of styles reflective of certain aspects of age, culture, and language. There is a ...
Plainsong was the exclusive form of the Western Christian church music until the ninth century, and the introduction of polyphony. [ 2 ] The monophonic chants of plainsong have a non-metric rhythm, [ 3 ] which is generally considered freer than the metered rhythms of later Western music. [ 3 ]
The tract (Latin: tractus) is part of the proper of the Christian liturgical celebration of the Eucharist, used instead of the Alleluia in Lent or Septuagesima, in a Requiem Mass, and other penitential occasions, when the joyousness of an Alleluia is deemed inappropriate. Tracts are not, however, necessarily sorrowful.
A chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony)