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Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; [1] and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. [2]
A multi-exposure composite image of the October 2004 lunar eclipse taken from Hayward, California. In photography and cinematography, a multiple exposure is the superimposition of two or more exposures to create a single image, and double exposure has a corresponding meaning in respect of two images.
Superimposition is the placement of one thing over another, typically so that both are still evident. Superimpositions are often related to the mathematical procedure of superposition . Audio
Psychoanalytic film theory is a school of academic thought that evokes the concepts of psychoanalysts Sigmund Freud and Jacques Lacan. The theory is closely tied to Critical theory, Marxist film theory, and Apparatus theory. The theory is separated into two waves. The first wave occurred in the 1960s and 70s.
Created Date: 8/30/2012 4:52:52 PM
The affection-image film is therefore a film which foregrounds emotions: desires, wants, needs. These emotions arise from images of faces which communicate the unfilmable intensive effects of the characters. [33] This type of affection-image corresponds to the sign of solid perception of the perception-image and is called the "icon". [33]
The first three chapters of Cinema 2, each outlining a number of ways of approaching what Deleuze calls "the time-image". The first chapter explores the works of various filmmakers who were, according to Deleuze, precursors to time-images.
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