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Owen Lattimore (July 29, 1900 – May 31, 1989) was an American Orientalist and writer. He was an influential scholar of China and Central Asia, especially Mongolia.Although he never earned a college degree, [1] in the 1930s he was editor of Pacific Affairs, a journal published by the Institute of Pacific Relations, and taught at Johns Hopkins University from 1938 to 1963.
African poetry encompasses a wide variety of traditions arising from Africa's 55 countries and from evolving trends within different literary genres.The field is complex, primarily because of Africa's original linguistic and cultural diversity and partly because of the effects of slavery and colonisation, the believe in religion and social life which resulted in English, Portuguese and French ...
Contemporary Africa has a range of important poets across many different genres and cultures. Poetry in Africa details more on the history and context of contemporary poetry on the continent. This is a dynamic list and may never be able to satisfy particular standards for completeness.
African American literature has both been influenced by the great African diasporic heritage [7] and shaped it in many countries. It has been created within the larger realm of post-colonial literature, although scholars distinguish between the two, saying that "African American literature differs from most post-colonial literature in that it is written by members of a minority community who ...
Richmond Alexander Lattimore (May 6, 1906 – February 26, 1984) was an American poet and classicist known for his translations of the Greek classics, especially his versions of the Iliad and Odyssey.
Storytellers in Africa sometimes use call-and-response techniques to tell their stories. Poetry describes a narrative poem based upon a short and a ribald anecdote and is often sung, through: narrative epic, occupational verse, ritual verse, praise poems of rulers and other prominent people.
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Kelly says that genuine feeling expressed in the poems is not enough to overcome the lack of structure and form. Ending his critique, he states that black poets would have been better served by an anthology that focused on quality rather than themes, calling Poems of Black Africa "provocative and embarrassing". [4]