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Pages in category "Films based on works by Niccolò Machiavelli" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes. D.
Niccolò di Bernardo dei Machiavelli [a] (3 May 1469 – 21 June 1527) was a Florentine [4] [5] diplomat, author, philosopher, and historian who lived during the Italian Renaissance. He is best known for his political treatise The Prince (Il Principe), written around 1513 but not published until 1532, five years after his death. [6]
The Mandrake (Italian: La Mandragola; also called Mandragola: The Love Root) is a 1965 Franco-Italian co-production directed by Alberto Lattuada and based on the eponymous 16th-century play by Italian author Niccolò Machiavelli. It was nominated for the Academy Award for Best Costume Design.
The Prince (Italian: Il Principe [il ˈprintʃipe]; Latin: De Principatibus) is a 16th-century political treatise written by the Italian diplomat, philosopher, and political theorist Niccolò Machiavelli in the form of a realistic instruction guide for new princes.
In English Renaissance theatre (Elizabethan and Jacobian), the term "Machiavel" (from 'Nicholas Machiavel', an "anglicization" of Machiavelli's name based on French) was used for a stock antagonist that resorted to ruthless means to gain and preserve royal authority, and is an archaic variant of the word "Machiavellian".
Belfagor arcidiavolo ("Belfagor the archdaemon") is a novella by Niccolò Machiavelli, written between 1518 and 1527, and first published with his collected works in 1549. The novella is also known as La favola di Belfagor Arcidiavolo ("The fable of Belfagor the archdaemon") and Il demonio che prese moglie ("The demon who took a wife").
Machiavelli emphasizes that a ruler must be able to do evil, because to maintain political power you will have to overcome your enemies who are also wicked. Machiavelli uses the example of the ancient Greek tyrant Agathocles, who had the entire elite of Syracuse killed in order to seize control of the government. Machiavelli says that this is a ...
The action takes place over a period of 24 hours. The comedy’s main theme is the use of deceit and the interplay among the characters who think they are shrewder than the next. The opening prologue was written by Machiavelli and is read at the start of the film, just as it is in the play. The script is largely faithful to the original play.