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Sebastiano del Piombo's The Raising of Lazarus was transferred from panel to canvas in 1771. [1]The practice of conserving an unstable painting on panel by transferring it from its original decayed, worm-eaten, cracked, or distorted wood support to canvas or a new panel has been practised since the 18th century.
A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall ( fresco ) or on vellum (used for miniatures in illuminated manuscripts ).
Artists use plywood as a support for easel paintings to replace traditional canvas or cardboard. Ready-made artist boards for oil painting in three-layered plywood (3-ply) were produced and sold in New York as early as 1880. [8]
Advertisement for Beaver Board, 1917. Beaverboard (also beaver board) is a fiberboard building material, formed of wood fibre compressed into sheets. It was originally a trademark [1] for a lumber product built up from the fibre of clean white spruce [2] made from 1906 until 1928 by the Beaver Manufacturing Company at their plant in Beaver Falls and marketed from their headquarters on Beaver ...
The Migration Series is truly a spectacular work, holding 60 12 x 18in panels worth of narrative that tells history in an understandable platform. This is Jacob Lawrence’s most famous piece, as it was immediately and still is, displayed in both the Philips Collection as well as the Museum of Modern Art since 1941.
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