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The Mother is a novel by Pearl S. Buck, first published in New York by the John Day Company in 1934. It follows the life of peasant woman in rural China before the 1911 Revolution , as she struggles to raise her children and cope with poverty, famine, and social oppression.
Pelzer's books describe the abuse he suffered for several years of his childhood, including continual mistreatment and beatings by his mother, whom he said thought of it as a game. His teachers stepped in on March 5, 1973, and 12-year-old Pelzer was placed in foster care. At age 18, in 1979, he joined the U.S. Air Force and served in the Gulf War.
Mother (Russian: Мать, romanized: Mat') is a novel written by Maxim Gorky in 1906 about revolutionary factory workers. It was first published, in English, in Appleton's Magazine in 1906, [ 1 ] then in Russian in 1907.
Adrienne Brodeur [1] is an American writer. She is the author of the best-selling memoir Wild Game: My Mother, Her Lover and Me and the novel Little Monsters (2023), as well as the novel Man Camp (2005). [2]
The book follows Nadia, a young woman who left her Southern California hometown years ago after the suicide of her mother and is called back to attend to a family emergency. The Mothers , released on October 11, 2016 by Riverhead Books , received critical acclaim and was a New York Times bestseller.
Mother 3 [a] is a 2006 role-playing video game developed by Brownie Brown and HAL Laboratory and published by Nintendo for the Game Boy Advance. It is the third and final entry in the Mother series. The game follows Lucas, a young boy with psychic abilities, and a party of characters as they attempt to prevent a mysterious invading army from ...
Mother [a] (known as EarthBound outside Japan) is a video game series that consists of three role-playing video games: Mother (1989), known as EarthBound Beginnings outside Japan, for the Family Computer; Mother 2 (1994), known as EarthBound outside Japan, for the Super Nintendo Entertainment System; and Mother 3 (2006) for the Game Boy Advance.
In the play, Brecht utilizes narrative, irony, the juxtaposition of self-proclaimed "truths" to reveal their flaws, the concretizing of complex ideas into dramatic events, an understanding and simple presentation of human behaviour, and a comedic optimism that things can be changed and that reason and common sense will overcome fear and superstition.