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It is in Devi Mahatmya, states C Mackenzie Brown, that "the various mythic, cultic and theological elements relating to diverse female divinities were brought together in what has been called the 'crystallization of the Goddess tradition." [68] The unique feature of Devi Māhātmyam is the oral tradition. Though it is part of the devotional ...
The Devīsūktam, also called the Aṃbhṛnīsūktam, is the 125th sūkta (hymn) occurring in the 10th mandala of the Ṛgveda. [1] In the present day, the sūkta is popularly chanted during the worship of the Devī (Universal Goddess in any form), in the daily rituals of temples, and also in various Vedic sacrificial ceremonies like iṣti, hōma, havana, etc.
The Devīsūktam belongs to the 5th Chapter of the Devīmāhātmyam. In the preceding (4th) chapter, the Devī, having slain the demon Mahiṣāsura (महिषासुर), assures the gods that she would help them if they come to distress in the future too.
According to the Devi Mahatmya, in the legend called the Mahishasura Vadha, [8] furious about the asuras under Mahishasura expelling the devas and overrunning Svarga, the Trimurti (supreme trinity) of the deities Brahma, Vishnu, and Shiva combined their energies, which assumed the form of a goddess called Durga. Armed with the weapons and ...
The Maha Upanishad has been influential in the major Hindu literature that followed it. The teachings of Bhagavata Purana calls the Vasudhaiva Kutumbakam adage of the Maha Upanishad, as the "Loftiest Vedantic Thought".
The second translation appeared in 1971 by Kantilal L. Kalani, published by the University Grantha Nirman Board of Gujarat government. [ 1 ] [ 4 ] Kantilal, however, translated only 852 couplets, which included only select couplets (of four to ten) from every chapter yet covering all chapters of the Tirukkural.
Gantakarana Mantra Stotra is a Sanskrit text associated with him which has 71 verses and is used as a mantra as well as hymn. It was composed in later half of the 16th century by a little known Jain monk Vimalachandra who was a disciple of Sakalachandra, a disciple of Tapa Gaccha monk Hiravijaya Suri .
Mahishasuramarddini [a] is a widely popular early Bengali special dawn radio programme that has been broadcasting since 1931 [1] on All India Radio (AIR) in Indian state West Bengal.