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A Buddhist coin of Kanishka I, with legend ΒΟΔΔΟ "Boddo" (=the Buddha) in Greek script on the reverse. Several other Buddhist deities may have been influenced by Greek gods. For example, Heracles with a lion-skin, the protector deity of Demetrius I of Bactria, "served as an artistic model for Vajrapani, a protector of the Buddha".
The clearest examples of Hellenistic art are found in the coins of the Greco-Bactrian kings of the period, such as Demetrius I of Bactria. Many coins of the Greco-Bactrian kings have been unearthed, including the largest silver and gold coins ever minted in the Hellenistic world, ranking among the best in artistic and technical sophistication ...
Hardly any examples of Hellenistic paintings or sculptures survive, but we have many Roman copies. For Hellenistic sculpture we have some originals, including Laocoön and his Sons, the Venus de Milo, and the Winged Victory of Samothrace. Many surviving frescoes and mosaics from the Roman period are believed to be loose copies of Hellenistic ...
Serapis, a Greco-Egyptian god worshipped in Hellenistic Egypt. The concept of Hellenistic religion as the late form of Ancient Greek religion covers any of the various systems of beliefs and practices of the people who lived under the influence of ancient Greek culture during the Hellenistic period and the Roman Empire (c. 300 BCE to 300 CE).
Buddhism is devoted primarily to awakening or enlightenment (bodhi), Nirvāṇa ("blowing out"), and liberation (vimokṣa) from all causes of suffering (duḥkha) due to the existence of sentient beings in saṃsāra (the cycle of compulsory birth, death, and rebirth) through the threefold trainings (ethical conduct, meditative absorption, and ...
The Buddhist "Indrasala architrave", dated 50-100 CE, with a scene of the Buddha at the Indrasala Cave being attended by Indra, and a scene of devotion to the Bodhi Tree on the other side, is another example of the still hesitant handling of the human icon of the Buddha in the Buddhist art of Mathura. [154]
The Pataliputra capital, a Hellenistic anta capital found in the Mauryan Empire palace of Pataliputra, India, dated to the 3rd century BCE. Hellenistic influence on Indian art and architecture reflects the artistic and architectural influence of the Greeks on Indian art following the conquests of Alexander the Great, from the end of the 4th century BCE to the first centuries of the common era.
Representations of the five Dhyani Buddhas, who are abstract aspects of Buddhahood rather than Buddhas or gods, have elaborate differences. [6] Each must face in a different direction (north, south, east, west, or center), and, when painted, each is a different color (blue, yellow, red, green, or white).