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Amor fati is a Latin phrase that may be translated as "love of fate" or "love of one's fate". It is used to describe an attitude in which one sees everything that happens in one's life, including suffering and loss , as good or, at the very least, necessary.
Philosophy and Truth: Selections from Nietzsche's Notebooks of the Early 1870s, ed. and trans. Daniel Breazeale, Prometheus Books, 1990, ISBN 1-57392-532-2; Philosophy in the Tragic Age of the Greeks, trans. Marianne Cowan, Regnery Publishing, 1996, ISBN 0-89526-710-1
amor fati: love of fate: Nietzscheian alternative worldview to that represented through memento mori ("remember you must die"): Nietzsche believed amor fati was more affirmative of life. amor omnibus idem: love is the same for all: From Virgil, Georgics III amor patriae: love of the fatherland: i.e., "love of the nation;" patriotism: amor ...
Amor fati, or "love of (one's) fate," encourages individuals to embrace their life experiences, including suffering and hardship, as essential components of their existence. Nietzsche posits that by affirming life in its entirety, one can transcend nihilism and find meaning even in adversity.
Others, well known philosophers in their own right, wrote commentaries on Nietzsche's philosophy, including Martin Heidegger, who produced a four-volume study, and Lev Shestov, who wrote a book called Dostoyevski, Tolstoy and Nietzsche where he portrays Nietzsche and Dostoyevski as the "thinkers of tragedy". [331]
Nietzsche eventually transformed the idea of matter as centers of force into matter as centers of will to power as humanity's destiny to face with amor fati. The expression Amor fati is used repeatedly by Nietzsche as acceptation-choice of the fate, but in such way it becomes even another thing, precisely a "choice" destiny.
Especially considering the strong emphasis on Nietzsche, it is silly to define amor fati as anything having anything to do with a belief in destiny or in an ultimate purpose . . . to love one's fate, even if it is full of purposeless suffering, because this is the honorable thing to do (make the world beautiful, not ugly), would seem to be the ...
The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...