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Endel Tulving OC FRSC (May 26, 1927 – September 11, 2023) was an Estonian-born Canadian experimental psychologist and cognitive neuroscientist. In his research on human memory he proposed the distinction between semantic and episodic memory .
Howard Thompson (October 25, 1919 – March 10, 2002) was an American journalist and film critic whose career of forty-one years was spent at The New York Times. Henry Howard Thompson Jr. was born in Natchez , the seat of Mississippi 's Adams County .
Wesley Morris (born 1975) [2] is an American film critic and podcast host. He is currently critic-at-large for The New York Times, [3] as well as co-host, with J Wortham, of the New York Times podcast Still Processing. Previously, Morris wrote for The Boston Globe, then Grantland. [4]
Best Actor: Marlon Brando - Last Tango in Paris (Ultimo tango a Parigi); Runner-up: Al Pacino - Serpico Best Actress: Joanne Woodward - Summer Wishes, Winter Dreams; Runner-up: Glenda Jackson - A Touch of Class
The New Journalism is a 1973 anthology of journalism edited by Tom Wolfe and E. W. Johnson. The book is both a manifesto for a new type of journalism by Wolfe, and a collection of examples of New Journalism by American writers, covering a variety of subjects from the frivolous (baton twirling competitions) to the deadly serious (the Vietnam War).
The Los Angeles Times said that it "isn't really that good". [2] The New York Times said it was "very well done" with a "general air of excitement, suspense and even horror". [3] One of the producers was Maurice Binder, who was best known for doing the title sequences for James Bond movies. [4] The film was shot on location in the Pyrenees. [5]
Alfred Molina, John Douglas Thompson and Chris Perfetti star in Pasadena Playhouse's revival of 'Inherit the Wind,' the Scopes "monkey" trial drama, directed by Michael Michetti.
Roger Greenspun (December 16, 1929 – June 18, 2017) was an American journalist and film critic, best known for his work with The New York Times in which he reviewed near 400 films, particularly in the late 1960s and early 1970s, and for Penthouse for which he was the film critic throughout much of the late 1970s and 1980s.