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"Collide" is a song by American singer-songwriter Howie Day. The song was written by Day and Better Than Ezra frontman Kevin Griffin, and the London Session Orchestra provided backing instrumentation on the initial album version of the song.
Anderson wrote the song while riding on a bus in England. Reading a review of Shampoo, he noticed a section detailing a scene where a character's response when asked if they are married is "sometimes". Anderson decided this would be an excellent setup for a duet, jotting down the first draft of the lyrics on the magazine the review was in. [1]
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
Four and one half steps down from standard Drop A. Used by Within the Ruins on the album Phenomena with the variation C-F-c-f-A♯-D-G. Drop B0 – B-F ♯-B-E-A-C ♯-F ♯ / B-G ♭-B-E-A-D ♭-G ♭ Five full steps down from standard Drop A. Six full steps (one octave) down from a baritone Drop B guitar; Drop A
The song uses the basic "pop song" 4-chord progression (I IV V vi). In the key of G (which is how I always play it) the root is G, the 4th chord C, the 5th is D, and the relative minor is Em. The idea behind the "minor fall" is a drop into the relative minor key (Em for G) and the major lift is a return to the major key (in this case G).
Side one "Ba-Ba-Ba-Ba" "Under the Heat" "Mercy Mercy" "You Don't Scare Me" "Make a Difference Tonight" Side two "Caught In an Unguarded Moment" "Someone New"
Allan Taylor (L) and Paul Metsers (R), Norwich Festival 1981. Taylor left school in 1961. He was an apprentice in telecommunications until 1965. Inspired by skiffle and the beat generation, he started singing and playing guitar in the folk clubs of Brighton through his teenage years. [1]