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One of the last women to receive these tattoos was Ana Eva Hei, who was queen consort of Atamu Tekena. [7] Her tattoos were described by Alfred Métraux, Julien Viaud and Walter Knoche. [8] [9] There are several other tattoo patterns and figures: one woman had an ‘ao, which is a ceremonial paddle, tattooed on her back. [3]
Viriamo, back view by Walter Knoche, 1911. Viriamo's face and body may have been tattooed by the catechist Tomanika Vaka Tuku One. Her face featured geometric stripes on her forehead and an adze-like design on her cheek, and her back was decorated with the ao motif, which symbolised a paddle.
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Along with Viriamo, Ana Eva Hei was among the last surviving women from Rapa Nui to receive traditional facial tattoos. [2] Her tattoos were described by Alfred Métraux, who undertook a research expedition to her home from 1934 to 1935. He stated that her tattoos included: "two parallel stripes crossing her forehead from one ear to the other ...
Manu Farrarons (born 1967) is a French-born Polynesian tattoo artist. Farrarons' art is a mix of Polynesian styles and designs, mostly Tahitian and Marquesan, which he mixes with Māori and Hawaiian influences. Full leg tattooed by Manu Farrarons. Freehand creation.
Like in other Polynesian islands, tattoos and body paintings had a fundamentally spiritual connotation. In some cases the tattoos were considered a receptor for divine strength or mana. They were manifestations of the Rapa Nui culture. Priests, warriors and chiefs had more tattoos than the rest of the population, as a symbol of their hierarchy.