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The first season of the American television situation comedy Leave It to Beaver premiered on October 4, 1957 and concluded on July 16, 1958 (the show switched from Fridays to Wednesdays midway through the season [1]). It consisted of 39 episodes shot in black-and-white, each running approximately 25 minutes in length.
Season two: Ward and June, standing at the bottom of the stairs, see the boys off to school as they come down the stairs and exit the front door. Season three: Ward and June enter the boys' bedroom to wake them. Season four: Ward and June open the front door and stand on the stoop. As Wally, followed by Beaver, leave for school, June hands them ...
season Title Directed by Written by Original air date Prod. code; 1: 1 "Beaver Gets 'Spelled" Norman Tokar: Joe Connelly & Bob Mosher: October 4, 1957 () 903A: 2: 2 "Captain Jack" Norman Tokar: Joe Connelly & Bob Mosher: October 11, 1957 () 901A: 3: 3 "The Black Eye" Norman Tokar: Story by : Rik Vollaerts Teleplay by : Joe Connelly & Bob Mosher
Beaver waits around the house all afternoon believing that Larry is on his way over. Ward asks Beaver to run to the drugstore and pick up a paper. Beaver hears Larry telling the other boys he has spent the 75 cents and sees him finishing a soda at the drugstore counter. Beaver tells Larry to go outside so Beaver can sock him but Larry refuses.
Stanley Clements (born Stanislaw Klimowicz; July 16, 1926 – October 16, 1981) was an American actor and comedian, best known for portraying "Stash" in the East Side Kids film series, and group leader Stanislaus "Duke" Coveleskie in The Bowery Boys film series.
Ivo guest starred in an episode of the syndicated adventure television series, Rescue 8 and in two episodes of Leave It to Beaver (one being S3E37’s “Wally’s Play” as “The Duke”). He also guest starred on the ABC/ Warner Brothers western series, Sugarfoot and on the NBC western series The Tall Man .
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[1] [3] Mathers played the Beaver for six years, appearing in all 234 episodes of the series. He was the first child actor to have had a deal made on his behalf to get a percentage of the merchandising revenue from a television show. Leave It to Beaver still generates revenue more than six decades after its original production run.