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[[Category:Solo piano works by composer templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:Solo piano works by composer templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code's last character.
To change this template's initial visibility, the |state= parameter may be used: {{Beethoven piano sonatas | state = collapsed}} will show the template collapsed, i.e. hidden apart from its title bar. {{Beethoven piano sonatas | state = expanded}} will show the template expanded, i.e. fully visible.
To change this template's initial visibility, the |state= parameter may be used: {{Mozart piano sonatas | state = collapsed}} will show the template collapsed, i.e. hidden apart from its title bar. {{Mozart piano sonatas | state = expanded}} will show the template expanded, i.e. fully visible.
Kathleen's intention is to augment and extend the piano recital, and to borrow from contemporary theater, film and dance to create a new context for modern classical music. She also performs works that extend the sonic world of the piano recital, by using electronics both live and pre-recorded, preparation of the piano, and playing inside the ...
Visek recorded also for Czech and Polish Radio, Czech television and on CD recordings (his last CDs are "Dvořák Unreleased" and "Franz Liszt and Czech Music"). His piano recital at the Prague International Spring Festival in May 1997 was highly acclaimed, as well as his performances there in 2002, 2003, 2006 and 2014.
In addition to restructuring and augmenting Chopin's music for the Allegro de concert into a new treatment for piano and orchestra, he also created settings for piano and orchestra of the Nocturne in C-sharp minor, Op. posth. "Lento con gran espressione", and the Bolero in C major-A minor, Op. 19.
The Allegro de concierto in C ♯ major, Op. 46, is a virtuosic showpiece for piano by Enrique Granados, composed between 1903 and 1904. [1] Its lyricism and technical brilliance, reminiscent of Franz Liszt , have made it one of the composer's most popular works.
The Los Angeles Times described the premiere at Zipper Hall of his Sigils for solo piano as "the recital's strongest piece. Sigils boasts a fascinating -- and somewhat split -- personality, with its mixtures of rhythmic data-dancing systems and more visceral, clustered fistfuls-of-notes, hazy keyboard cloud activity, and a deceptive 'resolving ...