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' French song ') is generally any lyric-driven French song. The term is most commonly used in English to refer either to the secular polyphonic French songs of late medieval and Renaissance music or to a specific style of French pop music which emerged in the 1950s and 1960s.
The custos was commonly used in handwritten Renaissance and typeset Baroque music. cut time Same as the meter 2 2: two half-note (minim) beats per measure. Notated and executed like common time (4 4), except with the beat lengths doubled. Indicated by . This comes from a literal cut of the symbol of common time.
one who has emigrated for political reasons. French also use the word exilé (exiled) or réfugié (refugee) or even "exilé politique" or "réfugié politique". encore A request to repeat a performance, as in Encore!, lit. 'again'; also used to describe additional songs played at the end of a gig. Francophones would say « Une autre !
Séga music is a popular style that mixes African and European music. The most popular sega musicians include Ousanousava, Baster, Maxime Laope. Maloya music has a strong African element reflected in the use of slave chants and work songs. The most popular sega musicians include Danyèl Waro, Firmin Viry, Granmoun Lélé, Mars tou sèl.
The popularity of French music in the rest of Europe declined slightly, yet the popular chanson and the old motet were further developed during this time. The epicenter of French music moved from Paris to Burgundy, as it followed the Burgundian School of composers. During the Baroque period, music was simplified and restricted due to Calvinist ...
The first use of the term air de cour was in Adrian Le Roy's Airs de cour miz sur le luth (Book on Court Tunes for the Luth), [1] a collection of music published in 1571. The earliest examples of the form are for solo voice accompanied by lute; [2] towards the end of the 16th century, four or five voices are common, sometimes accompanied (or instrumental accompaniment may have been optional ...
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During the Ars Nova era of the thirteenth and fourteenth centuries, the trend towards writing polyphonic music extended to non-Church music. In the fifteenth century, more secular music emerged, such as the French chanson. In the late sixteenth-century, composers attempted to recreate Greek drama using a style called monody.